Shih Yi-fan is a filmmaker from Taiwan, based in Gothenburg.
She is an alumna of HDK-Valand, Göteborgs universitet.
Coming from a background of documentary directing, Shih often inspired by personal stories and explores the boundaries between grey zones and multiple realities.
In her films, she raises political questions about bonds between humans and nature, through the lens of non-anthropocentrism and interculturalism.
A woman goes on nightly trips, in search and awaiting someone who’s impossible to find. Someone who has departed. She tries to comprehend what death means and has an unusual encounter. This film delicately explores cultural differences and the universality of the unspeakable grief, from Taiwan to Sweden.
Screenings
2024 Taipei International Golden Short Film Awards
2024 Gijón International Film Festival
2024 Frame FilmFestival
2024 Festival de CineArte en la Frontera
Awards 2024 Golden Prize, Taipei International Golden Short Film Awards, Taiwan.
2021.Untitled
Essay film, 07:20 min.English
In this film, I took a trip bridging three places around close time which arose the attempt of an essential
inquiry: the relationship between human and natural world. Across three different places I tried to create conversations and I also found some similarity behind those rituals/folklores. First, I use an oral storytelling method which most of us are familiar and was also the way stories/legends passed on before written history. In the 400-year-old ritual contains the elements I am exploring and it’s still practiced now, in the mountains. When attending the ritual, I found that I can’t relate this story without its surroundings. Second, I went back to Eastern Asia’s political protest, except for losing freedom, the great anxiety of Hong Kong people and their searching of sense of identity are asking the same question, again and again. Without those collective histories, rituals and common values, there is no such bound. And what behind these and created what so called “root” are what I’m exploring. I grow up in Taipei City and I feel deeply the disconnect between modern human and nature. In my memories, I was told many folklores, characters and songs when I was little. But it’s since I am old enough and went into the nature, I started to feel I understand those stories and superstitions by heart, and feel connected with them. When human was generally depending on nature, the sense of identity was based on common language (including non-verbal languages) and gods, which are the roots of our culture. In the third part I interviewed a Swedish friend, who grew in the farm, on how he’s affected by/ believe in folklore/ superstitions. He’s very interested in Swedish mythology and folklores. In the forest our sensory organs work differently and it’s the mutual affection of the nature and our imagination that created our own culture. I tried to related some characters in folklore with scenery I found myself or from the archive images. And in the ending I asked him to sing an old Norse folksong at the city, also where the song were born.
2021.Blue Lowings
Short film, 04 min.
In this film, I took a trip bridging three places around close time which arose the attempt of an essential
inquiry: the relationship between human and natural world. Across three different places
2020.The Nest
Short film, 12:45 min.
English
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Shih Yi-fan is a filmmaker from Taiwan, based in Gothenburg. She is an alumna of HDK-Valand, Göteborgs universitet. Coming from a background of documentary directing, Shih often inspired by personal stories and explores the boundaries between grey zones and multiple realities. In her films, she raises political questions about bonds between humans and nature, through the lens of non-anthropocentrism and interculturalism.